Complementary
Two colors from opposite sides of the wheel. They make each other look more vivid, which is why the pairing is used for anything that needs to stand out.
A cyan screen is a display filled edge to edge with cyan, produced by lighting the green and blue subpixels with no red. It is used as a cool accent light, for underwater and moonlight effects in photography, and to test the green and blue channels together.
Quick colors, then fill the screen
Or a gradient
Or let it move
Every value for #00D9F5, ready to paste. Click any code to copy it.
| Channel | Decimal | Share | Hex | Octal | Binary |
|---|---|---|---|---|---|
| Red | 0 | 0% | 00 | 0 | 00000000 |
| Green | 217 | 85.1% | D9 | 331 | 11011001 |
| Blue | 245 | 96.08% | F5 | 365 | 11110101 |
The nearest web-safe color is #00CCFF, from the 216-color palette browsers agreed on before displays could be trusted with more.
Every step is generated from #00D9F5. Click a swatch to copy its hex.
A shade is the base color with black mixed in. Shades read as deeper and more dramatic, and they are what you reach for when a color needs to recede or carry weight.
A tint is the base color with white mixed in. Tints turn pastel as they lighten, which makes them useful for backgrounds and for anything that has to sit behind text.
A tone is the base color with grey mixed in. Tones lose the shout without losing the hue, and they are usually what separates a considered palette from a loud one.
The same color as the 50 to 950 ladder every CSS framework uses, with #00D9F5 at 500. Click a step to copy its hex, or take the whole scale as variables for a design system.
Harmonies are positions on the color wheel rather than matters of taste, which is why they keep working across very different designs.
Two colors from opposite sides of the wheel. They make each other look more vivid, which is why the pairing is used for anything that needs to stand out.
Three neighbours on the wheel. Nothing competes, so the result reads calm and settled, closer to how colour behaves in nature.
The base plus the two colors either side of its complement. It keeps most of the contrast while being much easier to balance.
Three colors spaced evenly around the wheel. Strong and lively, and usually best with one dominant color and two accents.
Two complementary pairs, forming a rectangle on the wheel. The richest scheme available, and the hardest to keep from shouting.
One hue at different lightness levels. Effortlessly cohesive, and the safest way to build a palette around a brand color.
Near neighbours, for when this color is almost right. Each one shifts hue, saturation or lightness by a small step.
Five-color palettes built around #00D9F5, each following a different scheme. Click any swatch to copy it, or open the generator to build your own.
Open the palette generator to lock the colors you like and regenerate the rest.
Whether cyan works as text, and what to put on top of it when it is the background. Ratios follow WCAG 2.1, where 4.5 is the bar for body text and 3 for large text.
Large text at 24 pixels
Body text at 16 pixels. A flat field of color removes every variable, which is what makes it useful for judging a display.
Large text at 24 pixels
Body text at 16 pixels. A flat field of color removes every variable, which is what makes it useful for judging a display.
Used the other way round, #00D9F5 as a background takes #000000 text. That is the higher-contrast of the two, and it is what the tool picks automatically for any chrome sitting on your color.
Cyan reads better on a black background of the two. Contrast is a property of the pair, not of one color, so a color that fails here can still be perfectly usable against a different partner.
What this color does, where it works, and what it reveals about the screen showing it.
Green and blue at full output with red switched off. That makes it a two-channel test in a single field, the cool counterpart to what yellow does for red and green.
Night exteriors, water, and any shot that needs a cool edge. It is also the standard partner to a warm key light, and a good daytime bias light behind a monitor because it matches the color of daylight.
Cyan reads as clean, technical and cold, which is why it turns up in medical branding, electronics packaging and computer builds. It is refreshing rather than relaxing, and it makes a room feel alert rather than cosy.
Very bright, because two subpixels fire and one of them is green, the color your eye is most sensitive to. That brightness makes it a good test of uniformity at the top of a panel's range, where edge-lit banding shows most clearly.
Cool blue-green is the established visual shorthand for moonlight, so ingrained that audiences read it as night even when the scene was obviously shot in daylight. The same convention covers water, so pools and underwater sequences get pushed the same direction.
Paired with orange or pink on the opposite side you get the contrast that carries an enormous amount of modern lighting design. The warm side reads as the practical light in the scene, the cool side as the night outside, and the separation is what makes an image feel deep.