Complementary
Two colors from opposite sides of the wheel. They make each other look more vivid, which is why the pairing is used for anything that needs to stand out.
A purple screen is a display filled edge to edge with purple, produced by lighting the red and blue subpixels with little or no green. It is used for mood and accent lighting, as a backdrop for photography and streaming, and to test the red and blue channels together.
Quick colors, then fill the screen
Or a gradient
Or let it move
Every value for #7A5CFF, ready to paste. Click any code to copy it.
| Channel | Decimal | Share | Hex | Octal | Binary |
|---|---|---|---|---|---|
| Red | 122 | 47.84% | 7A | 172 | 01111010 |
| Green | 92 | 36.08% | 5C | 134 | 01011100 |
| Blue | 255 | 100% | FF | 377 | 11111111 |
The nearest web-safe color is #6666FF, from the 216-color palette browsers agreed on before displays could be trusted with more.
Every step is generated from #7A5CFF. Click a swatch to copy its hex.
A shade is the base color with black mixed in. Shades read as deeper and more dramatic, and they are what you reach for when a color needs to recede or carry weight.
A tint is the base color with white mixed in. Tints turn pastel as they lighten, which makes them useful for backgrounds and for anything that has to sit behind text.
A tone is the base color with grey mixed in. Tones lose the shout without losing the hue, and they are usually what separates a considered palette from a loud one.
The same color as the 50 to 950 ladder every CSS framework uses, with #7A5CFF at 500. Click a step to copy its hex, or take the whole scale as variables for a design system.
Harmonies are positions on the color wheel rather than matters of taste, which is why they keep working across very different designs.
Two colors from opposite sides of the wheel. They make each other look more vivid, which is why the pairing is used for anything that needs to stand out.
Three neighbours on the wheel. Nothing competes, so the result reads calm and settled, closer to how colour behaves in nature.
The base plus the two colors either side of its complement. It keeps most of the contrast while being much easier to balance.
Three colors spaced evenly around the wheel. Strong and lively, and usually best with one dominant color and two accents.
Two complementary pairs, forming a rectangle on the wheel. The richest scheme available, and the hardest to keep from shouting.
One hue at different lightness levels. Effortlessly cohesive, and the safest way to build a palette around a brand color.
Near neighbours, for when this color is almost right. Each one shifts hue, saturation or lightness by a small step.
Five-color palettes built around #7A5CFF, each following a different scheme. Click any swatch to copy it, or open the generator to build your own.
Open the palette generator to lock the colors you like and regenerate the rest.
Whether purple works as text, and what to put on top of it when it is the background. Ratios follow WCAG 2.1, where 4.5 is the bar for body text and 3 for large text.
Large text at 24 pixels
Body text at 16 pixels. A flat field of color removes every variable, which is what makes it useful for judging a display.
Large text at 24 pixels
Body text at 16 pixels. A flat field of color removes every variable, which is what makes it useful for judging a display.
Used the other way round, #7A5CFF as a background takes #000000 text. That is the higher-contrast of the two, and it is what the tool picks automatically for any chrome sitting on your color.
Purple reads better on a black background of the two. Contrast is a property of the pair, not of one color, so a color that fails here can still be perfectly usable against a different partner.
What this color does, where it works, and what it reveals about the screen showing it.
Red and blue lit together with green held back. There is no purple wavelength the way there is a red or a green one. Your eye interprets the combination of the longest and shortest wavelengths as a color that does not exist in the spectrum.
Streaming setups, gaming rooms and product photography. A purple wash behind a desk has become close to a default look, and there are practical reasons for that rather than just fashion.
Purple has meant royalty and expense for two thousand years, because the dye was ruinously hard to make. It still reads as premium, creative and slightly synthetic, which is exactly why technology brands reach for it.
A useful combined test of the red and blue channels, and a genuine stress test in general. Saturated purples sit near the edge of what most panels can produce, so this is where a display gives up first, with banding or a drift toward blue across the screen.
It separates a subject from the background without looking like a studio, and it sits far enough from skin tones that it does not muddy a face the way green or yellow can, while being much less clinical than plain blue.
Put the screen behind and to one side, out of frame, and turn the brightness down until it reads as a glow rather than a light source. Saturated purple at full output is a lot. The effect you want arrives at about a fifth of it.